Voice patterns of Buddhism propogration

Siriporn Wongsawat

Abstract


There is actually a research on “Voice Patterns for Buddhist propagation” which has three objectives. They consist of 1) for study the conceptual theories about the voice for communication, 2) for study the conceptual theories about the voice according to the Buddhist scriptures, and 3) for presenting the formations of the voice to propagate the Buddhism.
          The finding are as follow : Its results are found that the voice pattern in the Buddhism is divided into the four formations. They are: 1. The normal voice The formations of using the voice have the important aspects to express

the general or natural voice for propagating in Buddhism. The general voice is
the most proper to support the Buddhism in many types-lecturing Dhamma and
giving sermon
2. The imitating voice
The formations of using the voice have the aspects to express the imitated
sounds which stress the high, low, or middle sounds, including the pitching, echo,
or rhythm. These depend upon the fictions of the stories which were being told at
a moment.
3. The dubbing voice
The formations of using the voice have the aspects in the dubbing sounds
which are used and presented Dhamma with the characters in the plays, e.g.
Jataka,Dhammapata or Dhammatales. The used voice stands for characters.
4. The mixed formations of using the voice
The formations of using the voice have the three mixed aspects of
the sound. Many different types of using voice which consist of the general, imitating,
and dubbing sounds are joined together in the same dhamma show for giving
the sermon. They are assumed that the styles of showing Dhamma by the mixed
formations of using the voice neatly. The topic of Dhamma and its contents are 

propagated. ng the voice for propagating it by the four formations in the Buddhism as
said above.


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